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chorus

Dido and Æneas, No.31: Chorus - Destruction's our delight

Voorburgs Operakoor

2:24	Est. Play Time
88	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	60	6	7	100%
		28	20	6	6	96%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	60	6	7	100%
		28	20	6	6	96%
A		12	0	2	5	35%
B		12	0	2	5	35%
S		10	0	1	4	35%
T		11	0	1	5	35%

Messiah| No.07: And He Shall Purify

Pete Alan

2:54	Est. Play Time
58	Measures
	1,999Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	96	11	7	91%
		27	30	8	7	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	96	11	7	91%
		27	30	8	7	100%
Bass		17	0	6	6	81%
Tenor		13	0	4	5	74%
Soprano		13	0	3	6	72%
Alto		15	0	4	6	71%

Chorus in E minor

schoutens

3:30	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		19	0	8	8	100%
Violoncello		17	0	5	8	89%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		19	0	8	8	100%
Violoncello		17	0	5	8	89%
Violin		26	0	9	7	81%
Viola		22	0	7	8	70%
Soprano		17	0	6	5	65%
Tenor		17	0	6	5	59%
Bass		18	0	7	5	54%
Alto		15	0	4	5	46%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere» - BASSE

Papibois

3:58	Est. Play Time
149	Measures
	1,928Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Base		15	0	7	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	4	4	53%
Soprano 2		14	0	3	4	53%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

Il Trovatore, Coro di Zingari e Canzone

Voorburgs Operakoor

2:32	Est. Play Time
89	Measures
	1,164Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	10	4	8	96%
		23	18	5	6	96%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	10	4	8	96%
		23	18	5	6	96%
B		12	0	2	8	63%
T		14	0	3	8	62%
A		11	0	1	8	28%
S		13	0	2	8	28%
g		2	0	0	1	26%

Verdi, Rigoletto: Act 2 - Scorrendo uniti

Mélisande

2:23	Est. Play Time
67	Measures
	4,135Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon		20	20	3	5	97%
		30	26	8	8	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon		20	20	3	5	97%
		30	26	8	8	100%
Violoncelle		21	3	4	8	100%
Alto		18	25	4	4	97%
Contrebasse		14	0	2	4	97%
Basson		22	26	6	7	94%
Hautbois		20	22	6	7	93%
Basses		18	2	4	7	86%
Borsa		19	0	5	8	85%
Ceprano		17	0	3	7	85%
Marullo		16	0	4	7	85%
Ténors		20	21	6	8	85%
Flûte		18	0	4	8	82%
Duc		6	0	1	4	18%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
Vcl		26	3	10	7	96%
Tenor		18	0	7	5	86%
Viola		18	0	7	5	86%
Alto		18	0	6	6	84%
Violin 2		18	0	6	6	84%
Soprano		18	0	7	5	79%
Violin 1		18	0	7	6	79%
Bass		17	0	5	6	71%
Tromba 1		14	0	2	6	38%
Ped		10	0	2	5	33%
Trombone		10	0	2	5	33%
Tromba 2,3		11	20	1	4	22%
Timpani		2	0	0	3	21%
Oboe		13	16	3	5	20%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere»

Papibois

3:58	Est. Play Time
149	Measures
	1,916Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Basse		15	0	5	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	3	4	53%
Soprano 2		14	0	3	4	53%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	23	5	6	88%
		22	21	4	6	88%
Basse		9	0	4	3	64%
Tenor 1		9	0	2	3	64%
Tenor 2		9	0	2	3	64%
Soprano 1		8	0	1	2	60%
Soprano 2		7	0	1	2	60%
Dulcamara		12	0	4	4	57%
Adina		7	0	1	3	43%
Belcore		6	0	1	3	14%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		23	1	4	7	100%
Violas		20	1	6	6	99%
Violins		24	0	5	8	91%
		24	0	5	7	91%
Fagott		22	0	4	7	91%
Cembalo		23	49	6	7	87%
		26	72	5	7	84%
Tenor		15	0	4	5	82%
Oboe		15	0	4	6	74%
Soprano		15	0	4	6	74%
Alto		12	0	2	6	69%
Bass		15	0	3	6	65%

J.S. Bach: Coro: Herr, unser Herrscher (BWV 245 (Johannespassion), #1)

BSG

8:48	Est. Play Time
96	Measures
	3,564Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		18	0	7	3	100%
Contrabass		18	0	7	3	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		18	0	7	3	100%
Contrabass		18	0	7	3	100%
Vcl./Fagotto		18	0	7	3	100%
Viola		26	0	12	3	100%
Violin 1		28	0	10	3	100%
Violin 2		28	0	10	3	100%
Fl./Ob. 1		22	0	9	6	98%
Flute 1		22	0	9	6	98%
Fl./Ob. 2		21	0	8	6	95%
Flute 2		20	0	8	6	95%
Bass		22	0	9	6	78%
Tenor		20	0	8	5	78%
Alto		21	0	7	7	76%
Soprano		22	0	9	6	76%

Messiah| No.53: Worthy Is The Lamb That Was Slain

Pete Alan

6:24	Est. Play Time
146	Measures
	4,569Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		25	0	5	7	92%
Tenor		18	0	6	8	86%
Bass		14	0	3	8	84%
Violins 1		25	0	6	6	81%
Alto		14	0	3	8	79%
Violins 2		22	0	5	8	77%
Soprano		16	1	4	7	73%
Violas		20	0	5	8	73%
Double Basses		23	11	6	7	70%
C Trumpet I, II		13	0	1	8	54%
Timpani		2	0	0	8	34%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere» - SOPRANO 1

Papibois

3:58	Est. Play Time
149	Measures
	1,917Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Basse		15	0	5	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	4	4	53%
Soprano 2		14	0	3	4	53%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 5/16 Acte 1 : Coro «Davver saria da ridere» -TENOR 1

Papibois

3:58	Est. Play Time
149	Measures
	1,920Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		33	42	9	6	99%
		32	50	11	6	91%
Nemorino		16	0	6	6	75%
Adina		19	0	5	6	68%
Belcore		16	0	4	5	65%
Ténor 1		14	0	5	5	60%
Ténor 2		14	0	5	5	60%
Basse		15	0	5	4	60%
Giannetta		18	0	6	4	53%
Soprano 1		14	0	4	4	53%
Soprano 2		14	0	3	4	53%

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